"That's what he calls it," said Fleda. "Only last week; it seems a hundred years. We've worked here as fast as we worked there, but I'm not settled yet: you'll see in the rest of the house. However, the worst is over."!

"No, nor love me," said Owen. "Of course, you know, she says she loves me." That did for the time, and she had moreover, as the months went on, the protection of suspended allusions. This protection was marked when, in the following November, she received a letter directed in a hand at which a quick glance sufficed to make her hesitate to open it. She said nothing, then or afterwards; but she opened it, for reasons that had come to her, on the morrow. It consisted of a page and a half from Owen Gereth, dated from Florence, but with no other preliminary. She knew that during the summer he had returned to England with his wife, and that after a couple of months they had again gone abroad. She also knew, without communication, that Mrs. Gereth, round whom Ricks had grown submissively and indescribably sweet, had her own interpretation of her daughter-in-law's share in this second migration. It was a piece of calculated insolence—a stroke odiously directed at showing whom it might concern that now she had Poynton fast she was perfectly indifferent to living there. The Morning Post, at Ricks, had again been a resource: it was stated in that journal that Mr. and Mrs. Owen Gereth proposed to spend the winter in India. There was a person to whom it was clear that she led her wretched husband by the nose. Such was the light in which contemporary history was offered to Fleda until, in her own room, late at night, she broke the seal of her letter.

But with the opening of the door she encountered a shock, though for an instant she couldn't have named it; the next moment she saw it was given her by the face of the man advancing to let her out, an old lame porter of the station, who had been there in Mrs. Gereth's time and who now recognized her. He looked up at her so hard that she took an alarm and before alighting broke out to him: "They've come back?" She had a confused, absurd sense that even he would know that in this case she mustn't be there. He hesitated, and in the few seconds her alarm had completely changed its ground: it seemed to leap, with her quick jump from the carriage, to the ground that was that of his stare at her. "Smoke?" She was on the platform with her frightened sniff: it had taken her a minute to become aware of an extraordinary smell. The air was full of it, and there were already heads at the window of the train, looking out at something she couldn't see. Some one, the only other passenger, had got out of another carriage, and the old porter hobbled off to close his door. The smoke was in her eyes, but she saw the station-master, from the end of the platform, recognize her too and come straight to her. He brought her a finer shade of surprise than the porter, and while he was coming she heard a voice at a window of the train say that something was "a good bit off—a mile from the town." That was just what Poynton was. Then her heart stood still at the white wonder in the station-master's face. Our young lady met this branch of the temptation it pleased her frankly to recognize by declaring that to encourage any such cruelty would be tortuous and base. She had nothing to do with his dislikes; she had only to do with his good-nature and his good name. She had joy of him just as he was, but it was of these things she had the greatest. The worst aversion and the liveliest reaction moreover wouldn't alter the fact—since one was facing facts—that but the other day his strong arms must have clasped a remarkably handsome girl as close as she had permitted. Fleda's emotion at this time was a wondrous mixture, in which Mona's permissions and Mona's beauty figured powerfully as aids to reflection. She herself had no beauty, and her permissions were the stony stares she had just practiced in the drawing-room—a consciousness of a kind appreciably to add to the particular sense of triumph that made her generous. I may not perhaps too much diminish the merit of that generosity if I mention that it could take the flight we are considering just because really, with the telescope of her long thought, Fleda saw what might bring her out of the wood. Mona herself would bring her out; at the least Mona possibly might. Deep down plunged the idea that even should she achieve what she had promised Owen, there was still the contingency of Mona's independent action. She might by that time, under stress of temper or of whatever it was that was now moving her, have said or done the things there is no patching up. If the rupture should come from Waterbath they might all be happy yet. This was a calculation that Fleda wouldn't have committed to paper, but it affected the total of her sentiments. She was meanwhile so remarkably constituted that while she refused to profit by Owen's mistake, even while she judged it and hastened to cover it up, she could drink a sweetness from it that consorted little with her wishing it mightn't have been made. There was no harm done, because he had instinctively known, poor dear, with whom to make it, and it was a compensation for seeing him worried that he hadn't made it with some horrid mean girl who would immediately have dished him by making a still bigger one. Their protected error (for she indulged a fancy that it was hers too) was like some dangerous, lovely living thing that she had caught and could keep—keep vivid and helpless in the cage of her own passion and look at and talk to all day long. She had got it well locked up there by the time that, from an upper window, she saw Mrs. Gereth again in the garden. At this she went down to meet her. The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture!